Figaro-Susanna duet, in Wolfgang Amadeus Mozart, Act 1, scene 1 \u201cFive, Ten, Twenty,\u201d The Marriage of Figaro (Vienna, 1786).<\/p>\n
Count & Countess interact with Susanna\u2019s Minuet, in Wolfgang Amadeus Mozart, Act 2 finale excerpt, \u201cFive, Ten, Twenty,\u201d The Marriage of Figaro (Vienna, 1786) <\/p>\n
Count vs. Everyone, in Wolfgang Amadeus Mozart, Act 4 finale (end)<\/p>\n
Ludwig van Beethoven, Symphony No. 5 in C Minor, all movements<\/p>\n
Ludwig van Beethoven, Piano Sonata in E Major, Op. 109 (1820), first movement<\/p>\n
Hector Berlioz, \u201cDream of a Witches\u2019 Sabbath,\u201d Fantastic Symphony: Episodes in the Life of an Artist (1830)<\/p>\n
Richard Wagner, The Valkyrie, Act I, scene i. (1870), p. 266.<\/p>\n
Richard Wagner, \u201cOrchestral Prelude\u201d or \u201cLove-Death,\u201d Tristan and Isolde (1865)<\/p>\n
Isolde\u2019s \u201cTransfiguration\u201d (end of Tristan and Isolde), as sung by Jessye Norman (1988)<\/p>\n
Giuseppe Verdi\u2019s Rigoletto, Act II scene vi, \u201cTutte le feste\u201d (1851): duet with Diana Damrau as Gilda (daughter) and Rigoletto (her father) in a 2008 production.<\/p>\n
Giacomo Puccini, Madame Butterfly, Aria from Act II, \u201cUn bel d\u00ec,\u201d p. 269.<\/p>\n
Claude Debussy (1862-1918), \u201cClouds,\u201d Three Nocturnes (1899)<\/p>\n
Claude Debussy, \u201cGolliwog\u2019s Cakewalk,\u201d Children\u2019s Corner (1908)<\/p>\n
Claude Debussy, \u201cPagodes,\u201d Estampes (1903)<\/p>\n
I Lotring, Bopong (1986)<\/p>\n
Igor Stravinsky, The Rite of Spring: Pictures of Pagan Russia in Two Acts (Paris, 1913)<\/p>\n
Ornette Coleman Sextet, \u201cSleep Talk\/Sleep Talking\u201d at Ansbach, Germany (1978) <\/p>\n
Paul Robeson, as per a short Australian documentary<\/p>\n","protected":false},"excerpt":{"rendered":"
Figaro-Susanna duet, in Wolfgang Amadeus Mozart, Act 1, scene 1 \u201cFive, Ten, Twenty,\u201d The Marriage of Figaro (Vienna, 1786). Count & Countess interact with Susanna\u2019s Minuet, in Wolfgang Amadeus Mozart, Act 2 finale excerpt, \u201cFive, Ten, Twenty,\u201d The Marriage of Figaro (Vienna, 1786) Count vs. Everyone, in Wolfgang Amadeus Mozart, Act 4 finale (end) Ludwig […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[10],"class_list":["post-107285","post","type-post","status-publish","format-standard","hentry","category-research-paper-writing","tag-writing"],"_links":{"self":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/posts\/107285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/comments?post=107285"}],"version-history":[{"count":0,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/posts\/107285\/revisions"}],"wp:attachment":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/media?parent=107285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/categories?post=107285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/tags?post=107285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}