The style of film which attempts to reproduce the surface of life with a minimum of distortion is known as<\/p>\n
a. <\/p>\n
Formalism<\/p>\n
b. <\/p>\n
Realism<\/p>\n
c. <\/p>\n
Classical Cinema or Classicism<\/p>\n
d. <\/p>\n
None of the above<\/p>\n
The style of film which expresses (ususally in a flamboyant manner) the subjective experience of the director towards life and towards the story which is being told is known as<\/p>\n
a. <\/p>\n
Formalism<\/p>\n
b. <\/p>\n
Realism<\/p>\n
c. <\/p>\n
Classical Cinema or Classicism<\/p>\n
d. <\/p>\n
None of the above<\/p>\n
The style of film which represents a slightly stylized presentation that has the surface of plausability and which places it between the other two styles of film is known as <\/p>\n
a. <\/p>\n
Formalism<\/p>\n
b. <\/p>\n
Realism<\/p>\n
c. <\/p>\n
Classical Cinema or Classicism<\/p>\n
d. <\/p>\n
None of the above<\/p>\n
This shot is the shot in which the actor(s) are shown with the head at the top of the frame and their feet at the bottom of the frame<\/p>\n
a. <\/p>\n
Medium shot<\/p>\n
b. <\/p>\n
Long shot<\/p>\n
c. <\/p>\n
Extreme Long shot<\/p>\n
d. <\/p>\n
Full shot<\/p>\n
This shot is the shot of a character(s) from the knees or the waist up, utilized most extensively for scenes of exposition and dialogue<\/p>\n
a. <\/p>\n
Medium Shot<\/p>\n
b. <\/p>\n
Extreme Long Shot<\/p>\n
c. <\/p>\n
Long Shot<\/p>\n
d. <\/p>\n
Full Shot<\/p>\n
There are five (5) basic positions for an actor to be photographed, each of which conveys different psychological overtones to the audience. This position reflects a character blocking the audience from any information about what is happening to them internally in a scene.<\/p>\n
a. <\/p>\n
the actor is facing full front to the camera<\/p>\n
b. <\/p>\n
the actor is in profile<\/p>\n
c. <\/p>\n
the actor is positioned in a 1\/4 turn away from the camera<\/p>\n
d. <\/p>\n
the actor’s back is facing the camera and the audience<\/p>\n
In the Somebody’s Daddy Scene from Fences, the director primarily uses which shot to capture the intimacy of the scene?<\/p>\n
a. <\/p>\n
Full shot<\/p>\n
b. <\/p>\n
Medium Shot<\/p>\n
c. <\/p>\n
Long Shot<\/p>\n
d. <\/p>\n
none of the above<\/p>\n
So that the audience can see the pain experienced by the character Rose in the Somebody’s Daddy Scene in Fences, the director generally has photographed Rose<\/p>\n
a. <\/p>\n
in a 3\/4 turn away from the camera<\/p>\n
b. <\/p>\n
in profile to the camera<\/p>\n
c. <\/p>\n
facing forward towards the camera<\/p>\n
d. <\/p>\n
none of the above<\/p>\n
The component parts of Mise-en-Scene include<\/p>\n
a. <\/p>\n
staging the action<\/p>\n
b. <\/p>\n
the physical setting and decor<\/p>\n
c. <\/p>\n
the manner in which the action and setting are photographed<\/p>\n
d. <\/p>\n
all of the above are correct<\/p>\n
The space or spacing between characters in a film scene provides the audience with information about<\/p>\n
a. <\/p>\n
the social and psychological relationships between these characters<\/p>\n
b. <\/p>\n
the cinematographer’s aesthetic about the film<\/p>\n
c. <\/p>\n
the director’s aesthetic about the film<\/p>\n
d. <\/p>\n
none of the above are correct<\/p>\n
In a film, a close-up is used as an illustration of this type of space (usually about 18 inches between people), which is referred to as <\/p>\n
a. <\/p>\n
Public Space<\/p>\n
b. <\/p>\n
Soclai space<\/p>\n
c. <\/p>\n
Intimate space<\/p>\n
d. <\/p>\n
Personal space<\/p>\n
In a film, a medium shot is used as an illustration of this type of space (usually between 18 inches and four feet between people) which is referred to as<\/p>\n
a. <\/p>\n
Public space<\/p>\n
b. <\/p>\n
Social space<\/p>\n
c. <\/p>\n
Intimate space<\/p>\n
d. <\/p>\n
Personal space<\/p>\n","protected":false},"excerpt":{"rendered":"
The style of film which attempts to reproduce the surface of life with a minimum of distortion is known as a. Formalism b. Realism c. Classical Cinema or Classicism d. None of the above The style of film which expresses (ususally in a flamboyant manner) the subjective experience of the director towards life and towards […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[10],"class_list":["post-78980","post","type-post","status-publish","format-standard","hentry","category-research-paper-writing","tag-writing"],"_links":{"self":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/posts\/78980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/comments?post=78980"}],"version-history":[{"count":0,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/posts\/78980\/revisions"}],"wp:attachment":[{"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/media?parent=78980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/categories?post=78980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/papersspot.com\/blog\/wp-json\/wp\/v2\/tags?post=78980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}