Submit a 1-2 page reflection on how directors and cinematographers shape acting in film using cinematography or production design. Use Robert Bresson’s Au Hasard Balthazar (1966) OR Bong Joo-hos The Host (2005), available on Kanopy (Links to an external site.) (the former) or Swank (the latter) or a free streaming service of which you’re a member. WARNING: The Host is a violent horror film.
This questions should help frame your response:
How does mise-en-scène as defined by Stephen Prince frame acting choices?
Are there examples of typage, theater, or Method acting in your film?
Be sure to use specific details you’ve learned in Movies and Meaning. You must cite at least TWO scenes for full credit. If you don’t cite Prince to support your arguments, you will not get full credit.
Do not use terms like “personally,” “I think,” “I feel.” Treat reflections as if they were very short essays. You’re not writing a review of these films, therefore do not share how these films impressed you; don’t refer to the “gorgeous cinematography” or “incredible acting.” Avoid a casual, chatty, gossipy tone.
You will watch either of the films on Kanopy, a free service offered by the FIU library. Visit FIU Kanopy (Links to an external site.) to register.