BIBLIOGRAPHY
Blackburn, Tong Cheng. “In Search of Third Space: Composing the Transcultural Experience in the Operas of Bright Sheng, Tan Dun, and Zhou Long.” DMA, diss., Indiana University, 2015. ProQuest (AAT 00000000).
Carter, Subaiou Zhang. “Integration of Chinese Traditional Music in Contemporary Violin Works by Ma Sicong, Chen Yi, and Bright Sheng.” DMA, diss. Boston University, 2021. ProQuest (AAT 00000000).
Chang, Peter. “Bright Sheng’s Music: An expression of Cross-Cultural Experience—Illustrated Through the Motivic, Contrapuntal and Tonal Treatment of the Chinese Folk Song The Stream Flows.” Contemporary Music Review 26.5-6 (2007): 619-633.
Deng, Wenyin. “Chinese-Western Hybrid Music: An Introduction and Exploration Through the Lens of Tibet Tone Poem by Sicong Ma and The Stream Flows by Bright Sheng.” DMA, diss. University of North Carolina at Greensboro, 2019. ProQuest (AAT 00000000).
Kang, Chiao-Hsuan. “Understanding of Authentic Performance Practice in Bright Sheng’s” Seven Tunes Heard in China” for Solo Cello.” (2016).
Rao, Nancy Yunhwa. “Cultural Boundary and National Border: Recent Works of Tan Dun, Chen Yi, and Bright Sheng.” (2014).
Shen, Hexue. “Bright Sheng’s Hot Pepper for Violin and Marimba: A Performer’s Guide to Interpretation.” DMA, diss. Ohio State University, 2016. ProQuest (AAT 00000000).
Sheng, Bright. “China dreams.” China Dreams (1995).
_____. China Dreams. New York: G. Schirmer, 2001. https://issuu.com/scoresondemand
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_____. Shanghai Overture for Symphony Band. Symphonic Band Version by Peng Chen and Bright Sheng. New York: G. Schirmer, 2007. https://issuu.com/scoresondemand/
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_____. Tibetan Love Song & Swing for Orchestra. New York: G. Schirmer, 2002. https://issuu.com/scoresondemand/docs/_tibetan_love_song_and_swing_full_score.
Zou, Liangjun. “Analyzing and Comparing Selected Works for Violin and Piano by Chen Gang, Chen Guoquan and Bright Sheng.” DMA, diss. University of South Carolina, 2018. ProQuest (AAT 00000000).