Genre: Analysis and synthesis essay. Your answers to these questions will form

Genre: Analysis and synthesis essay.

Your answers to these questions will form the framework of your essay for this semester-long

writing assignment. I will post links to each piece we listen to. I will also

post transcripts of each piece so that you may read each one on your own in addition to listening

to it.

Using the notes you take on each podcast throughout the semester, you will compose an analysis

and synthesis essay in which you explore the following questions:
Analysis Questions:

• What connections did you see between the podcasts? Use your imagination and critical

thinking skills in answering this question. Please note that you must find connections

between the various podcasts.

• Did the podcasts show similarities or differences in perspective/point of view, and were

these similarities or differences significant/meaningful? Explain, using specific examples.

Synthesis Question:

• What life lessons did the podcasts hold for you? In other words, how could you apply

lessons you have learned from the podcasts to your own life? Explain.

1.podcast: https://storycorps.org/podcast/carrying-the-weight/

2. podcast: https://storycorps.org/podcast/a-little-bit-of-kindness/

3.prodcast transcript:

Chris: Anthony, if you could ask your dad one question and he gives you a hundred

percent honesty with that one question, what would you ask him?

Anthony: Um, I’ll probably ask, was it worth missing out all this time with your kids for

this one thing you were trying to get when you committed your crime? I mean, I’m

assuming what he would say; he’d probably say “No” because I doubt any parent would

want to miss twelve, thirteen years of their children’s lives for one thing. I would hope he

would say, “No.”

Chris: What do you think is a– what makes a good dad?

Anthony: To me? This is the definition that I want to try to fill when I become a father. I

want to just be there to provide and support my kids and my significant other. I want to

be able to be there for them and be there for their important events, like their first words,

their first steps, their first graduation, their first sports game, their first dance recital,

whatever. So, I feel like just being a good father is just being there for whoever needs

you.

Earlonne: For both of them, there was this fear that even if they tried not to, they’d

somehow end up like their fathers.

Anthony: And there’ll be times when I’m talking with my mom and I’ll do something and

she’ll say, “You look exactly like your dad when you did that.” It’s important to me to

break that cycle. Like, if I have kids one day, I don’t want to not be in their lives. I want

to be in their lives a hundred percent. And I think I just try to avoid it and just try to think

positively and try to get through this last bit of stretch before I go on to college. And then

after that, I get a job and then have a family of my own. [group snapping in encouragement]

Chris: I can’t get him out of my head, you know what I mean? Because there’s things

that my mom sees – er, she doesn’t see him in me, but I think she does. ‘Cause there’s

certain things that I do and she reacts and I can tell it like reminds her of the bad times

and the– you know, it hurts a lot and uh… [sighs] I know I’m not my dad, but… [pauses

and sighs] I mean, I’m not my dad. But I definitely do things just like him. And my mom

says things like, “He’ll shape up when he wants to.” But, I mean, I know he’s not going

to.

[music comes in]

Nigel: Later on, we were talking to Chris and I asked him about this: which of his dad’s

behaviors he was trying to shake?

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Chris: It’s like sticking true to your word. Not Keeping empty promises.

[to Chris speaking quietly in the background]

Nigel: So, you’re saying not give false promises?

Chris: Yeah. To my mom, it’s like, yeah, I’ll help out around the house. And then I’ll just

leave all my responsibilities and forget about them.

[as narrator]

Nigel: This part was really difficult. It was so hard to hear him say these things ’cause I

just wanted to, I don’t know, reach out and say to him: there’s so much about you that’s

wonderful–

Earlonne: I know.

Nigel: – And like, dig into that part.

Earlonne: I know. And these kids, again, taking on heavy shit that they shouldn’t have

to take on.

Nigel: But then Anthony stepped in.

[speaking to Chris]

Anthony: I remember earlier when you were saying how you feel like you’re

underachieving. First of all, I think you’re very– you’re achieving a lot. I mean, you’re in

college right now. That’s a lot more than other people can say they’re doing. My advice

to you: just don’t be afraid to show little resemblance, like, ’cause if you totally just shut

out all the parts of your dad that you know, you’re going to lose the image of him and

how he acts forever. Try to look for the good things your dad did – the good personality

traits your dad did – rather than focus on the negative ones that you’re seeing coming

through to you.

[drumming comes in while group sings]

Project Avary Group Members: Put your feet on the ground. You can hear what you

said, if you listen to them.

Nigel: For me, this entire day was a masterclass in listening. And this kind of listening

means showing up fully for another person.

Earlonne: And maybe their parents couldn’t do it for them, but they could do it for each

other. [Nigel affirms]

14

Project Avary Group Members: …’cause the sound of the river as it moves across the

stone is the same sound as the blood in your body as it moves across your bones.

Earlonne: When we come back, a view from the other side of those letters.

Nigel: A parent talks about what it’s like to try to stay connected with your kids when

you’re locked up.

Project Avary Group Leader: Are you listening? Are you listening? [voices chattering

and laughter in the background]

Earlonne: Hey, Nyge. [Nigel affirms] I’ve been looking for something to read. Tell me

you got something for me.

Nigel: Oh, partner, partner, partner. Of course, I’ve got something for you. It’s short. It’s

sweet. It’s interesting. It is our Ear Hustle newsletter.

Earlonne: Wait a minute. Wait, wait, wait. [Nigel laughs] You should know I read that

before everybody see that, right? You should know that. [Nigel laughs]

Nigel: Yeah, I guess you’re right. You’re right. You’re right. I will say it is great. And

you’re right, people should read that. So, I’m gonna take that to mean you’re giving it a

recommendation.

Earlonne: Of course, I’d recommend it to all our listeners.

Nigel: And you know what? My mom loves it. She always calls me to tell me when it

arrived.

Earlonne: I know that’s a good mother-daughter moment.

Nigel: Oh yeah. It makes me really happy.

Earlonne: This newsletter Nigel moms read is called “The Lowdown.” And it comes out

monthly.

Nigel: Yep, just once a month. So, it’s really low commitment, but it’s fun and it’s

informative.

Earlonne: And it got a gang of awesome stuff in. Letters from the Ear Hustle team,

music recommendations from our sound designer, Antwan Williams, occasionally even

top secret [Nigel says shhhhh in the background] information about upcoming Ear

Hustle events.

Nigel: And don’t forget the photographs. I love the photographs, especially the ones of

our listeners. You know, our awesome Ear Hustle community.

15

Earlonne: Yeah. When they be sporting their Ear Hustle t-shirts… [crosstalk]

Nigel: [crosstalk] Oh, it’s great.

Earlonne: …at work, doing they thing.

Nigel: Yup. Just go to earhustle.sq.com/newsletter. Type your email address in the box

and then click “sign up.”

Earlonne: That’s earhustle.sq.com/newsletter to get “The Lowdown.”

Nigel: Thanks for doing it. [music fades out]

Michelle Garcia: I’m very open and um, but this is one subject that’s still really stinging,

so, if I, yeah… Don’t let my tears freak you out.

Nigel: How many years ago were you sentenced?

Michelle: I’ve been home nine years. [music comes in]

[as narrator]

Earlonne: This is Michelle Garcia. She got locked up in 2006.

Michelle has four children, two sons and two daughters. We heard the Avary kids talk

about how when their parents were incarcerated, it really changed their relationship with

their parent, permanently. We wanted to know what it felt like from the other side.

[music fades out]

[ambient noise from inside moving car]

[to Michelle]

Nigel: Can you describe the day that you had to leave your family?

Michelle: Oh gosh. March 6th. I knew for about a week that I had to turn myself in. My

younger ones were six and eight, so, how do you explain to them? Basically, mom had

done something wrong and needed to go see a judge. I just didn’t know how to explain it

to them. And so that was just the best that I could do. I was holding onto this hope I was

gonna come home. That it was gonna be okay. I had no idea what was gonna happen. I

never imagined getting a ten-year sentence. I remember the morning very well. Took

my kids to school. And I had taken my wedding ring. And his mom had just passed

away. And we’re Catholic and so the crucifix was on the table and I put my ring on the

table. And I left. And I met my husband and my brother-in-law at Starbucks across the

street from the police station. And I had a chai latte and an old-fashioned donut. And I

walked in. If I would’ve known what was going to happen to me that day on March 6th,

16

I’d probably still be at Mexico and I’m not lying. I think I would have just ran, really, really

hard and never came back. [Nigel affirms]

Nigel: Would you have left your family?

Michelle: Yeah, I think I would. But, not in a bad way, just to save them from all of this.

It really got– it got ugly. We had no idea what was ahead of us. No idea. [music comes

in]

Nigel: Michelle turned herself in and was taken to jail where she spent the next year

and a half waiting to be sentenced.

Earlonne: When her family came to visit her in jail, Michelle was sittin’ in a little cubicle,

separated from her family by a pane of glass.

Nigel: But her son, who was only six at the time, would still try to touch her.

Michelle: You know how we put our hands up to touch each other? He was pressing so

hard against the glass that his fingertips were white. Just so desperate to touch me. Not

being able to touch your kids when they’re like this close to you and they’re hurting

and… you know, it could be something like six-year-old stuff. [music fades out] Like, he

took my toy! But I can’t comfort my kids. And there’s nothing worse than just, as a

mother, knowing that I was actually the root of what their pain was coming from.

Nigel: After Michelle was sentenced, she was transferred to Central California Women’s

Facility in Chowchilla.

Earlonne: The prison was four hours from her house. Every couple of months, her

husband took the kids to go see her.

Nigel: She was so excited about them coming and she wanted to look her best. She

said that she would press her clothes under the mattress the night before, so they didn’t

have to see her in wrinkly prison garb.

Earlonne: But the visits were always over too fast. And saying goodbye was terrible.

Michelle: How do you even descr– their necks turned around. Like, just staring at you.

You’re going that way, they’re going the opposite direction, but eye contact. And you’re

both looking the way that you’re not walking and just standing in line being ready to be

stripped searched, crying. And you have to just bare yourself like that. When you had

just been nurturing, a mom, and feeling normal. And then bam! And there’s always that

one CO that, what the fuck you crying about? And it’s like, you know, hard to say

goodbye to my kids. I miss my kids… Well, you should’ve thought about that shit when

you did your crime. That was really demoralizing.

17

[to Michelle]

Nigel: What was Mother’s Day like inside?

Michelle: It’s bittersweet. You’re so excited that you have your family with you, your

kids with you. But then you sit there and they’re gonna go back to school Monday. And

they’re going to be asked, “What’d you do for Mother’s Day?” And I always wondered

what my kids said. [voice breaking]

I remember I– I was still in county jail. I hadn’t been to prison yet. But it was probably

the first Mother’s Day I was gone. Maybe the second. And my son had entered a

contest: Why He Had the Best Mom. And I believe he got selected to be either the

winner or a finalist. And the teacher called him and asked if I would be able to be there

to accept it… when I heard that, I just remember feeling like something you scrape off

the bottom of your shoe. And Mother’s Day from there out, is seriously a day I wish I

could just erase off the calendar. [emotionally] It starts three weeks before and it takes

me about a month after, just to be able to shake it.

[as narrator]

Nigel: Michelle’s relationship with her older son had been strained even before she

went to prison. But while she was away, it got much worse.

Michelle: My second child, my son, was very angry. He did not speak with me for four

years. I thought, for sure, he’d come around. And he didn’t. I pretty much thought I

would never see my son again. I’d write him a letter every week. Wednesday nights.

Week after week, year after year. With nothing in return. People ask me, “What did you

write about?” I still don’t frickin’ know what I wrote. I just was trying to do the right thing.

Earlonne: Michelle told us how she’d write these eight-page letters to her kids just all, “I

love you.” And “I miss you,” and “I’m sorry.” And on and on.

Nigel: Yeah, and she felt like she was saying what she needed to say to them. But E,

this actually really reminds me of what we heard from those Avary kids. You know,

those long letters that Laila got from her mom that she just couldn’t answer.

Earlonne: I think some parents don’t communicate enough. And others really just say

far too much. And it becomes a burden on the kids.

Michelle: … what that does to the receiving end of the children hearing those letters of

mom crying and being sad; and the damage that they can cause. It was my therapy

writing that letter, but not every letter has to be mailed.

[as narrator]

18

Nigel: Towards the end of her sentence, Michelle’s son got engaged. And his fiancé

urged him to go see his mom.

Earlonne: By this point, Michelle was at a fire camp, which is low security. She and her

son sat down at a picnic table.

Michelle: He sat where you were, and I sat where I am, and he let me have it. He let it

all out. I fucked up his life. He was angry. It was bullshit. “What the fuck were you

thinking?” It was not sugarcoated. It was pretty black and white. Mmhm. Yeah. “I blame

you.” And I took it and oddly enough, that is the strongest relationship to this day

because he did what he had to do to get through it.

Nigel: In 2011, Michelle was released from prison. She realized she didn’t know all of

these basic things about her kids. Like, what they’d like to eat for lunch or what kinds of

things they’d done while she was gone.

[music comes in]

Michelle: You know, it can be Thanksgiving, Christmas, and the niece and nephew or

sister-in-law, like, yeah, we did that…like, they know my kids better is what I feel like

they’re saying. They’re probably not even thinking that, but that’s what I’m hearing. And

there’s something in me that, don’t, you dare talk about that like you know, my kids

better. [Nigel affirms] But the truth of the matter is they probably did know my kids better

than I did. [music fades out]

Nigel: While Michelle was incarcerated, her older daughter basically became the

caretaker for the whole family. And that included things like sending Michelle pictures

about what everyone was up to. She also made sure that Michelle had everything she

needed in prison, like textbooks for her college classes.

Earlonne: But Michelle’s crime put the family in serious debt. They had to sell the

house and it had real consequences for her older daughter.

Michelle: She was in college in DC. Eventually she had to leave because of financial

reasons. [pauses] And, um, sorry. [getting emotional] So, then when I got home, she

was there with the pom-poms greeting me with the rest of them. Shortly after that, I

would say within like three, six months, you could see the resentment coming. I

remember calling friends on the phone after I would be with her. And I’d be like, “Why is

she so mean? Did she know what she said?” Finally, somebody just telling me she’s

hurt, maybe she doesn’t even know she’s hurt. [Nigel affirms] And it’s still a struggle

today out of all honesty. It’s that area that just never completely heals when it comes to

my kids and my family, I really fucked up. And it’s not a mistake that you can just go do

your time and come back and relive, you’re just– it’s a mistake that ripple effects.

19

[music comes in]

Nigel: I mean, Earlonne, this is something we don’t talk about that much. Usually when

we do stories about people getting out, it’s just about how exciting it is and how they’re

getting their life back. But the truth is for some people, there’s just things that have

happened that just cannot be repaired.

Earlonne: Yeah. I don’t think a parent probably will ever see that, you know? I don’t

think a parent would see how important it was for the parent to show up at the Kids’ Day

at school or show up at a basketball game, show up– you will never get that. You will

never understand what the kid was going through. And the kid is still holding on to that.

Nigel: Yeah. I mean, the thing is for some people, those relationships come back and

for others, it doesn’t. And I think this is really about accepting it. Accepting where people

are. [music fades out]

Project Avary Group Members: [singing] I believe in the power of love. Honeybees

love sweetness to help the world bloom bringing love to the power from the flower to the

fruit, we can learn a thing or two. So, give a little, give a little, give a lot, don’t stop. A

helping hand makes the world go ‘round there’s more than enough. I believe in the

power of love…

Earlonne: Our inside co-host Rahsaan “New York” Thomas has two sons: Brandon and

Nicholas.

Nigel: Oh yeah. And I remember he had pictures of them down in the media lab at San

Quentin.

Earlonne: Yeah. I mean, it’s just like an office outside. You have pictures of your loved

ones.

Nigel: Exactly.

Earlonne: New York’s been locked up for over twenty years now. And he obviously

deals with a lot of these communication issues that we’ve been hearing about.

[over the phone to New York] Is there any question you wish you could ask one of your

kids right now?

Rahsaan “New York” Thomas: [over the phone] Yeah, I would ask Nicholas, like, why

he don’t mess with me no more, man. Like, why is he not talking to my whole side of the

family? I don’t have no clue, man. One day he just stopped talking to my whole side of

the family: my brother, my mother, and me. I don’t know what’s going on.

20

Earlonne: So, if one of your kids is listening to this episode, right? [New York affirms]

What would you like to say to him?

New York: I would say to Nicholas, I would say, “Feelings ain’t facts, man. The fact is

we love you. We love you. Call us. Call your grandmother. Call me. Put some money on

your phone, so I can call you, rather. Let’s work this out, man, considering the fact that

we love you. And I’m sorry. Like, whatever it is I did, I’m sorry. No need to not speak to

each other, na’mean? We can’t work it out if we can’t communicate. So, there’s too

much love here to just throw away.”

[music comes in] [guest speakers share the following credits]

Speaker 1: Yeah. So, we’d like to thank Ziri, Laila, Maurice…

Speaker 2: Chris, Anthony, Cesar

Speaker 1: Gerardo, Michelle, and Eric.

Speaker 2: And Janeisha

Speaker 1: Thanks to Michelle Garcia for being in the episode.

Speaker 2: Thanks to Alex Escalante, Zach Whelan and Amy DeLeon at Project Avary.

Speaker 1: Thanks to Kele Mitoto. He played the music at the Avary Fire Circle.

Speaker 2: Ear Hustle is produced by Nigel Poor, Earlonne Woods, and Rahsaan “New

York” Thomas, John Yahya Johnson, and Bruce Wallace.

Speaker 1: This episode was sound designed and engineered by Antwan Williams with

music by Antwan, David Jassy, and Richie Morris.

Speaker 2: Amy Standen edits the show. And Julie Shapiro is the Executive Producer

for Radiotopia.

Speaker 1: Ear Hustle would like to thank acting warden Ron Bloomfield. And as you

know, as every episode of Ear Hustle has to be approved by this guy right here.

Lieutenant Sam Robinson: This is Lieutenant Sam Robinson, the Public Information

Officer at San Quentin State Prison and I do approve this episode.

Speaker 2: This podcast is made possible with support from the Chan Zuckerberg

initiative, working to redesign the justice system by building power and opportunity for

communities impacted by incarceration.