Monteverdi’s career; Orpheus in Music
Claudio Monteverdi (1567–1643) was an Italian musician who began his career as a singer as string player at the ducal court in the Italian city of Mantua. He held this job from 1589 until 1612, that is from age 22 until age 45, during which time he was in charge of managing musical concerts at court and composing music for them. Monteverdi was known widely as a composer of madrigals, which are relatively short songs with secular lyrics, sung by anywhere from two to eight singers. The madrigal is a very different animal than an opera. Given their short length, they did not involve the challenges of staging, plot, or form of an opera, which can stretch on for hours. To orient your ears, here’s one of Monteverdi’s best-known madrigals, “Zefrio torna,” in which two tenors sing about the west wind known as “Zephyr.” This wind is a metaphor for the arrival of spring and all that comes with it: blooming plants, love affairs, and so on. Notice how the instrumental accompaniment is relatively simple. In fact, it’s the same pattern of harmonies repeated over and over. It provides an unobtrusive background for the singers, who are expected both to express the images of the poetry, and to show off their vocal skills (notice all of the rapid passages and vocal effects).
https://www.youtube.com/watch?v=85tCzdRt6UE
Monteverdi composed the opera Orfeo at the court in Mantua. What was Monteverdi’s job at this court like? We can think about this question on two levels. First, what was he expected to do on a daily basis? What were his responsibilities? Second, what was his relative status? Was he well-known? Was he a big deal? As you think about these questions, and as you read about Monteverdi’s work in chapter one of First Nights, think about contemporary artists you admire and why. Perhaps it’s their fame, individuality, authenticity, innovation, or some combination of qualities. In the 21st century, we often use these qualities to define an “artist.” What defined an artist in Monteverdi’s time? What aspects of his expectations, responsibilities, and status seem most different than those of artists today?